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El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux
El chino - Jean-Baptiste Carpeaux

Bust The Chinese after Jean-Baptiste Carpeaux

LO-730
Last items in stock
€1,349.00
VAT included

The Essence of Asia: Discover the Exceptional Replica of the Famous Bust 'Le Chinois' by Jean-Baptiste Carpeaux.

Born into modest circumstances, Jean-Baptiste Carpeaux faced a challenging youth. His artistic journey commenced in 1844 when he gained admission to the École des Beaux-Arts in Paris, and two years later, he joined the Atelier de Rude. Recognition from Napoleon III quickly followed, ushering in a flow of prestigious commissions. Notably, the group La Danse, intended to adorn the Opera's façade, and the sculptures representing the four parts of the world for the Observatory fountain, stand testament to his immense talent.

Jean-Baptiste Carpeaux, a prodigious technician, can be likened to an impressionist in sculpture. His exceptional technical mastery allows him to blend grace and power, transcending the anecdotal, the superficial, and the ephemeral trends of his time.

In August 1867, Carpeaux's fame reached new heights when he received the prestigious commission for a monumental fountain to embellish the Luxembourg Gardens. This bust, a preparatory study for the figure of Asia destined for the Observatory fountain in Paris, reveals the genesis of a monumental work. The completion of the fountain in 1874 marked a significant milestone in the artist's career, occurring only a year before his death.

It is worth noting that the bust of 'The Chinese,' initially designed to embody Asia, underwent a final adaptation towards a feminine representation, thereby adding a touch of harmony and balance to the monumental ensemble. This final transformation, executed towards the end of the creative process, attests to Carpeaux's constant quest for perfection in his work and underscores his commitment to aesthetic and artistic unity.

Features of our reproduction of the Bust "Le chinois" after Jean-Baptiste Carpeaux

Height: 64 cm.

Material: White plaster.

Other possible materials: resin, reconstituted stone.

Available patinas: bronze, terracotta, marble, wood, polychrome, gilding, stone, or diorite. Contact us to inquire about the prices of our patinas (varying according to the desired color).

Handcrafted reproduction entirely made and patinated by hand.

In stock.

Delivery time: Approximately 8 to 12 weeks.

Material
  • Gypsum
  • Resin

 

A captivating masterpiece of realism: our reproduction of Jean-Baptiste Carpeaux's 1868 Bust of the Chinese, an Ode to the Beauty of Asia.

Detailed description of the bust: Jean-Baptiste Carpeaux brought to life two distinct versions of the Chinese.

Jean-Baptiste Carpeaux masterfully sculpted two different interpretations of the Chinese, and our reproduction illustrates the 1868 version. This rendition is characterized by a more pronounced sketch, highlighted by a spontaneous modeling that gives it a unique expressiveness. The young man, turning his head from East to West, reveals a serene and determined expression, imbued with pride for his origins. Although devoid of arrogance, the protagonist wears a subtle smile, his eyes lost in the distant horizon.

Carpeaux, a true master of capturing movement and life, breathes captivating dynamism into the young man's braid. The curvature of the latter seems to react to the rotation movement of the head, creating harmony between the modeling and the symbolic gesture. Each strand of hair is delicately sculpted and detailed with remarkable artistic precision, contributing to an authentic and immersive representation. Thus, the carefully crafted details of the hairstyle enhance the palpable reality of this exceptional work of art, accentuating its visual appeal and striking realism.

The sketched folds of the changshan, a traditional Chinese garment for men, reinforce the vitality of the overall piece while evoking the fluidity of movement in the costume. The attire is meticulously sculpted, emphasizing the realism of the artwork.

Artistic Genius and Cultural Identity: Carpeaux's Bust of the Chinese.

The emotions elicited by the bust transcend the simple act of contemplating a work of art to become a profound experience, revealing the artistic genius of Jean-Baptiste Carpeaux. The true virtuosity of the artist is evident in his ability to choose monumental themes and transcend them with striking originality.

The sculptural group designed for the Observatory represents a remarkable artistic feat. Composed of four figures symbolizing the Four Parts of the World, united in a symbolic gesture of support for a celestial sphere represented by a hollowed globe, it embodies an exceptional artistic vision. The Bust of the Chinese, as an allegory of Asia, and another bust titled "Pourquoi naître esclave?" symbolizing Africa, add layers of profound meaning.

In the meticulousness of the sculpture, Carpeaux captured the distinctive features of his Asian model, but it is the choice of the title, "Le Chinois," that transcends the individual to make it an idealized representation, a "type" becoming a symbolic icon of an entire millennia-old culture. It is a subtle but powerful transformation, where the unknown becomes the archetype of an ancient civilization.

The rotation of the young man's head to the right, from East to West, expressing serenity and determination, can carry several potentially rich symbols. This symbolic orientation suggests a transition, a journey, or an opening to new perspectives, a quest for knowledge at the twilight of the day. It could also represent an openness to the West, a symbol of receptivity to new ideas, influences, and cultures. Spiritually, looking toward the West could evoke a connection with deeper realities or contemplation of the beyond. The serene expression on the young man's face suggests an optimistic perspective in the face of upcoming challenges or opportunities.

This bust becomes the standard-bearer of a collective identity rooted in secular traditions. The pride emanating from the young man's face, the carefully sculpted details of the traditional changshan, and the long braided pigtail converge to create an emblematic representation. This work symbolizes a community that, while honoring its roots, looks confidently toward a promising future. Carpeaux's genius lies not only in his technical mastery but also in his ability to infuse a statuary work with emotional and cultural depth that transcends its time.

Delivery times vary depending on the availability of our pieces. If the piece is not immediately available, we will contact you immediately by email to inform you of the approximate average time frame expected by our workshop.

The average deadlines for the manufacturing stages are valid for all pieces:

Full-time mold creation period: 1 month.

Piece casting period: 1 day.

Finishing period: Variable from one piece to another, on average one week.

Shipping: Shipping costs are automatically calculated at the end of your purchases at checkout.

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